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Cohaere Ensemble is a Polish ensemble performing Baroque and pre-Classical music on historical instruments. The name Cohaere, meaning cohesive and inseparable, is inspired by the physical phenomenon of cohesion. This concept refers to the resistance of a physical body to being divided, a resistance characterized by strong intermolecular forces that bind particles together.

The ensemble embodies this idea through vibrant interaction during concerts—with the audience, with centuries-old music, and above all, with each other. Just as physical bodies consist of atoms occupying their own space, each member of Cohaere retains individuality within the group.

At the same time, an ensemble is, by definition, a collective. Defying the laws of physics, Cohaere preserves its unity even when apart—its flexible lineup allows collaborations in duos, trios, or larger orchestral settings.

Since 2020, Cohaere has been actively performing across France, Spain, Italy, Switzerland, Croatia, the Czech Republic, the Netherlands, and Poland. The ensemble has appeared at Poland’s leading early music festivals, including Misteria Paschalia, Actus Humanus, Kromer Festival Biecz, the Bach Festival in Świdnica, and Silesia Sonans.

Internationally, it has performed at festivals such as Musiques Baroques à Savennieres, Oude Musik, Fringe Torroella L’Estartit, Festival d’Ambronay, Kvarner Festival, Les Apartés, and Concentus Moraviae, as well as in renowned venues like Centro di Musica Antica Ghislieri, Radio France Musique, and NOSPR.

The ensemble has received numerous international awards, most notably the 1st Prize at the CIMA – International Early Music Competition in Loire Valley (2021). From 2022 to 2024, Cohaere Ensemble was part of the European project EEEMERGING+ , supporting outstanding young early music ensembles. In the 2024/25 season, the group will record its debut album and perform for the first time at the Actus Humanus Festival in Gdańsk.

We renew the sound of centuries

We are Cohaere

Cohaere Ensemble is a Polish ensemble performing Baroque and pre-Classical music on historical instruments. The name Cohaere, meaning cohesive and inseparable, is inspired by the physical phenomenon of cohesion. This concept refers to the resistance of a physical body to being divided, a resistance characterized by strong intermolecular forces that bind particles together.

The ensemble embodies this idea through vibrant interaction during concerts—with the audience, with centuries-old music, and above all, with each other. Just as physical bodies consist of atoms occupying their own space, each member of Cohaere retains individuality within the group.

At the same time, an ensemble is, by definition, a collective. Defying the laws of physics, Cohaere preserves its unity even when apart—its flexible lineup allows collaborations in duos, trios, or larger orchestral settings.

The journey continues

Since 2020, Cohaere has been actively performing across France, Spain, Italy, Switzerland, Croatia, the Czech Republic, the Netherlands, and Poland. The ensemble has appeared at Poland’s leading early music festivals, including Misteria Paschalia, Actus Humanus, Kromer Festival Biecz, the Bach Festival in Świdnica, and Silesia Sonans.

Internationally, it has performed at festivals such as Musiques Baroques à Savennieres, Oude Musik, Fringe Torroella L’Estartit, Festival d’Ambronay, Kvarner Festival, Les Apartés, and Concentus Moraviae, as well as in renowned venues like Centro di Musica Antica Ghislieri, Radio France Musique, and NOSPR.

The ensemble has received numerous international awards, most notably the 1st Prize at the CIMA – International Early Music Competition in Loire Valley (2021). From 2022 to 2024, Cohaere Ensemble was part of the European project EEEMERGING+ , supporting outstanding young early music ensembles. In the 2024/25 season, the group will record its debut album and perform for the first time at the Actus Humanus Festival in Gdańsk.

“Their high-quality playing was combined with a sensitive and vibrant interpretation. They played in harmony and stood out with their eclectic and extraordinary personalities.”

- Jury of the CIMA competition, 2021

We are
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Marta Gawlas

Marta is a flutist specializing in early music, performing on historical transverse flutes from the Renaissance to the Romantic era. She graduated with honors from the Academy of Music in Katowice and continued her education at prestigious European institutions, including the Haute École de Musique in Geneva and the Conservatorium van Amsterdam.

She has collaborated with leading European ensembles such as Les Arts Florissants, Gli Angeli Geneve, The English Concert and Arte dei Suonatori, performing at major early music festivals across Europe. She is a laureate of prestigious competitions, including the Dutch International Flute Competition and the CIMA International Early Music Competition.

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Marta Korbel

Marta is a violinist specializing in early music and a graduate of the Karol Szymanowski Academy of Music in Katowice, where she studied under Adam Musialski, as well as Martyna and Adam Pastuszka. She is a laureate of the third prize at the Premio Bonporti International Music Competition (2021) and the founder of Cohaere Ensemble.

She has collaborated with ensembles such as Capella Regia Polona, Capella Cracoviensis, Arte dei Suonatori, {oh!} Orkiestra, Wrocław Baroque Orchestra, and Café Zimmermann. She is a recipient of scholarships from the Młoda Polska program and the Jumpstart Jr. Foundation. She plays a violin by Giovanni Battista Rogeri, built in 1699.

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Natalia Reichert

Natalia is a violist specializing in historical performance. She completed her studies at the Fryderyk Chopin University of Music in Warsaw and the Academy of Music in Katowice, earning a master’s degree in historical viola. She honed her skills under the guidance of distinguished teachers - K. Chorzelski, J. Pisarski, E. Guzowska, M. Pastuszka, O. Centurioni, A. McGillivray.

She collaborates with ensembles including L’Arpeggiata, {oh!} Orkiestra, Capella Regia Polona, Arte dei Suonatori, Wrocław Baroque Orchestra, Royal Baroque Ensemble, Capella Cracoviensis and others.

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Monika Hartmann

Monika is a cellist specializing in historical performance. She graduated from the Academy of Music in Katowice, studying under Bartosz Kokosza and Tomasz Pokrzywiński. She collaborates with ensembles such as {oh!} Orkiestra, Capella Cracoviensis, Arte dei Suonatori, and Holland Baroque.

She has performed at prestigious festivals, including Actus Humanus, Misteria Paschalia, the Copenhagen Baroque Festival, and the Stockholm Early Music Festival, playing a baroque cello by Bastian Muthesius (2006). She is a recipient of the Młoda Polska scholarship program.

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Natalia Olczak

Natalia is a harpsichordist active as a soloist, chamber musician, orchestral player, and artistic event producer. She graduated from Schola Cantorum Basiliensis and the Karol Szymanowski Academy of Music in Katowice. A laureate of over 20 national and international competition awards, she has also received scholarships from the Młoda Polska program and the Polish Minister of Culture and National Heritage.

She performs with Cohaere, Fraś/Olczak Duo, and Werifesteria Duo. She has collaborated with institutions such as the Polish Royal Opera, Capella Cracoviensis, and {oh!} Orkiestra, performing at prestigious festivals across Europe. In 2024, she joined the Young Talents Development Program – Opera Academy in Warsaw.

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Past that
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Past that resonates today

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